Feast of the Assumption at Immaculate Conception Church, Kelowna, BC

Text courtesy of Joseph Vautour; photos courtesy of Latin Mass Society of Kelowna

The Extraordinary Form of the Roman Rite is making a steady comeback today. It has returned to many dioceses, and the communities formed around it are growing in number and size. This can certainly be felt in the Diocese of Nelson, British Columbia, where the Latin Mass is now celebrated weekly for the first time in a very long while.

The High Mass on the Feast of the Assumption, August 15, 2019, was especially memorable for Immaculate Conception Parish in Kelowna. Celebrated by parish priest Fr. Cerlouie Jimenez in the presence of His Excellency Bishop Gregory Bittman, it was the much-awaited fulfillment of the dreams of many who put a great deal of work and prayer into making such an event possible. Preparations had begun months beforehand, as a crew of talented individuals was formed to manage everything from the altar serving and sacristan work to preparing for the reception following the Mass. We were even blessed with the help and talents of people from outside of Kelowna who brought their experience and skill to the parish.

I had the privilege of witnessing this event up close from the altar, along with eight other altar servers, and I can say without a doubt that it spoke to the young people, who today are so bombarded with mediocre Catholicism. It was a sign of the true revolution the young generation seeks, not a revolution against that which is old but against what is false; a revolution to find the unvarnished truth, which it seems those with power are trying to dispense with.

Bishop Bittman, whose twenty-third anniversary of priestly ordination was also celebrated on this day, perhaps touched on this topic when he said in his homily that the majority of our assumptions are bad things. They convolute our knowledge of the truth with false preconceived ideas. However, there was one true Assumption, that of the Blessed Virgin, who assumed to Truth itself. The Truth does not age, because it does not change. The Assumption of Our Lady gives us reason to meditate on the Church and her never-changing doctrine, which assumes our minds to Christ.

It is interesting to note that the Traditional liturgy cannot be reborn on its own. By nature, it also reforms all other aspects of the surrounding community. This change was felt in many ways. The altar serving was different from before, many of the faithful learned to participate in a new and beautiful way, and the choir sang music that was new and mystical, a surprise for many unfamiliar with Gregorian chant. Indeed, a person cannot join in the liturgy and remain the same, for to join in the liturgy is to be united to God, and that experience is without parallel in this world.

Fr. Jimenez and Bishop Bittman (centre) with Fr. Edwin Neufeld, chaplain of the Kelowna Latin Mass community (left), and altar servers after the Mass

On a simpler note, many were also surprised by the turnout for the Mass. Not only were the sheer numbers exciting but people from all over the Okanagan and beyond came together in prayer – from Penticton, Cache Creek, Abbotsford, and Vancouver, to name just a few. In fact, there were enough people present who were familiar with the Traditional liturgy that we were able to have a second High Mass on the following Sunday on very short notice – what an incredible blessing!

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“Tradition is catching on”: 2019 BC Sacred Music Symposium

Text courtesy of Maria V for Una Voce Canada; photos courtesy of Ryan Bjorgaard, BC Sacred Music Symposium

Panel discussion at the 2019 BC Sacred Music Symposium

Restoration of our beloved musical heritage in the liturgy has proceeded with renewed vigour in the Fraser Valley of British Columbia with the second annual BC Sacred Music Symposium, held at Sts. Joachim and Ann Parish in Aldergrove, on August 2-4, 2019. It was an opportunity for musicians across the province, and some from the United States, to learn, share advice, network, and compare and contrast their own experiences with those of others. This year’s symposium was a huge success, with over one hundred participants and more classes, teachers, and ceremonies than last year. The complete experience was unique to this conference, with participants receiving training from professional musicians according to their skill level, learning polyphonic pieces as well as how to sing Gregorian chant. This year saw the addition of a chant immersion class, allowing for greater depth of learning and more intensive training. Besides acquiring knowledge that could be applied in their own parishes, participants promptly put it into action by contributing to the music of the Masses – in both the Ordinary and Extraordinary Forms – celebrated on Saturday and Sunday. Besides this, there was the Liturgy of the Hours in both English and Latin, including sung Lauds, Vespers, and Compline, with accompanying instruction on how to sing the psalm tones.

This year’s keynote speaker was Msgr. Andrew Wadsworth from the International Commission on English in the Liturgy (ICEL), who also officiated at the ceremonies. Msgr. Wadsworth also spoke about his work with ICEL, particularly the commission’s current project translating hymns for the Revised Liturgy of the Hours that are faithful to the original Latin. Participants could also choose from other presentations, including a study of liturgical vesture, its history and symbolism; the theology and praxis of Vespers; the teaching of Pope Benedict XVI on the Sacred Liturgy; and an overview of the history of Gregorian chant. Participants had a unique opportunity to ask questions, make their concerns heard, and express their opinions during the panel discussion on the first day and throughout the conference. Appropriately, the High Mass in the Extraordinary Form was the highlight, being the most elevated form of the Mass, but a purpose of the conference was also to demonstrate to the faithful how the Mass can also be said reverently and properly in the Ordinary Form, what that looks like, and especially what it sounds like.

Msgr. Andrew Wadsworth gave the keynote address …

… and celebrated the final Mass of the symposium

What is sacred music?

In order to improve the situation of music in the liturgy, one must first understand what is meant by sacred music, including its origin, idea, and end. First, sacred music is a liturgical action. Therefore, a false understanding of the liturgy will lead likewise to one in its musical apparel. If the sole purpose of the liturgy is the worship of God, then it is done for the glory of God, and not for our own personal satisfaction. In the words of Msgr. Wadsworth, “the liturgy is a gift we receive from the patrimony of the Church, not something we make for ourselves.” Therefore, sacred music must be based upon what Christ wants, as taught through the Church. Our obligation is to know what the teachings are and then to carry them out.

Second, if sacred music is by its very nature a liturgical action, this means that music is integral rather than incidental to the liturgy, specifically the Sung Mass and the Divine Office. It is not something added, but it is the Mass in its most elevated form. As the saying goes, “we must sing the Mass, rather than sing at Mass.” The texts of the Mass themselves are meant to be sung, in contrast to the Protestant alternative of surrounding everything with music, where we have a veritable “hymn sandwich,” regardless of the good intentions and good taste of the musicians. This also means that music must not hinder the ceremonies it accompanies. It is not an intermission between parts of the Mass, but rather is the parts of the Mass, and must flow smoothly with the ceremonies. It must also avoid becoming a performance, but instead focus our attention on the Sacrifice.

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High Mass at Holy Rosary Cathedral, Vancouver, BC, August 15, 2019

Photos courtesy of Claire Phillips

Holy Rosary Cathedral in downtown Vancouver

On Thursday evening, August 15, 2019, an estimated 650 people filled the pews at Vancouver’s Holy Rosary Cathedral for a High Mass in the Extraordinary Form of the Roman Rite (Traditional Latin Mass) in honour of the Assumption of the Blessed Virgin Mary.

A sense of occasion was palpable as people of different ages and backgrounds waited for the cathedral doors to open at 6:30 p.m. Despite the numbers, an atmosphere of reverence and even awe prevailed throughout the two-hour Mass, which was celebrated by Fr. Pablo Santa Maria of the Archdiocese of Vancouver. A fifty-voice choir organized by Vancouver musician David Poon specifically for this Mass sang Wiliam Byrd’s heavenly Mass for Five Voices (c. 1593) and various motets, while a smaller schola chanted the Gregorian Propers for the Feast of the Assumption. The Mass concluded with the Salve Regina, followed by extended extemporization on the cathedral’s magnificent pipe organ.

Choir and organ loft at Holy Rosary Cathedral

Prayers at the Foot of the Altar

Sermon

 

*****

Fr. Pablo Santa Maria was born in Mexico City in 1984. He has a married brother and a sister. In 2001, he moved to Vancouver with his parents and attended Vancouver College. He began discerning his vocation after meeting then Fr. Richard Gagnon, now Archbishop of Winnipeg, and serving Mass under him. As early as then, he knew that only Holy Orders would give him the happiness that he witnessed in Fr. Gagnon. Fr. Santa Maria entered Christ the King Seminary in Mission, British Columbia, in 2004, and was ordained to the priesthood in 2012. He served at St. Joseph’s Parish in Langley and then at Holy Rosary Cathedral, first as parochial vicar then as vice-rector and master of ceremonies. He began canon law studies at the University of Navarra in Pamplona, Spain, in 2017, and will complete his degree in 2020. Father has been celebrating his private Masses in the Extraordinary Form, many at the request of Una Voce Canada.

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Una Voce Canada Annual General Meeting: October 12, 2019

The annual general meeting of Una Voce Canada (Vancouver Traditional Mass Society) will be held on Saturday, October 12, following the 9 a.m. Mass at Holy Family Church, 4851 Beatrice Street, Vancouver, BC. The meeting will take place in the parish hall.

Dr. John Pepino will be our guest speaker. Dr. Pepino is Professor of Greek, Latin, Patristics, and History for the Priestly Fraternity of Saint Peter. His interest in continuity and change in the Church led him to study the development of the Roman Mass. Besides writing on the liturgy, he has translated the Memoirs of Fr. Louis Bouyer as well as the recent biography of Annibale Bugnini, both published by Angelico Press. A native of France, Dr. Pepino lives in Lincoln, Nebraska, with his wife and five children. The title of his talk will be “The Roman Mass from the Eve of Trent to the Present and Beyond: An Overview.”

Only registered members may vote during the meeting. To join or to renew your membership, pick up a form in the vestibule of Holy Family Church, email info@unavocecanada.org, or visit our membership page online. The cost of a year’s membership, which includes a subscription to our quarterly newsletter and a number of other benefits, is $20 for an individual or $25 per family.

A complimentary light lunch will be served following the Mass for all those who will be staying for the meeting. If you plan to attend, please sign up on the sheet in the foyer at Holy Family, email info@unavocecanada.org, or leave a message at 604-608-3552 by September 30.

All are invited!

Meeting poster | Membership form

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Solemn High Mass in Prince George, BC, on September 15

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Sung Mass in Kelowna, BC, on August 15

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If you wish to become more involved in the growth and support of our newly established community or to be added to our mailing list, please contact:

Latin Mass Society of Kelowna
2475 Dobbin Road, Unit 22, Suite #532
West Kelowna, BC V4T 2E9
Email: latinmasskelowna@gmail.com

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“Sing as if you’re ready for battle”: Gregorian chant workshop in Kelowna, BC

Text and photos courtesy of Joseph Donnelly

The Latin Mass Society of Kelowna in British Columbia, Canada, recently hosted a three-day Gregorian Chant Workshop taught by Mark Emerson Donnelly, Choir and Schola Director at Holy Family Parish in Vancouver, BC (and anthem singer for the Vancouver Canucks). The workshop took place on July 18-20 and provided an introduction to Gregorian chant, with an emphasis on singing and rehearsal technique.

Mr. Donnelly taught the fledgling schola the proper chants for the Assumption of the Blessed Virgin Mary, August 15, in preparation for their upcoming Missa Canata, or “Sung Mass,” which will be celebrated by Fr. Cerlouie Jimenez, pastor of Immaculate Conception Parish in Kelowna, where the workshop took place. The choir also learned Mass XI (the Mass Ordinary most often used for the time after Pentecost) and the Ave Maria and Ave verum chants.

“The chant melodies go beyond what the words can express on their own. If not, then we would simply recite the text,” said Mark, who follows the Solesmes chant method, which was endorsed by St. Pius X for use by the Universal Church. Throughout the workshop, he made it clear that not only should we sing chant but we should also sing it properly and to the best of our ability. “Don’t sing chant as if you were on your deathbed; sing it as if you’re ready to go to battle!” He introduced the enthusiastic group to what he calls “The 5 Steps to Gregorian Chant Performance,” which he has used with great success over his forty years of experience with chant. (A video outlining and demonstrating The 5 Steps is in production and will be posted on the VocalArt.ca YouTube channel soon. Stay tuned!)

The 5 Steps to Gregorian Chant Performance are:

  • Solfege/Solfeggio/Do-Re-Mi
  • Counting
  • Metering
  • Phrase Expression
  • Total Expression

With counting and metering, Mark especially emphasized the rhythm of the chant, which he said is often neglected. “Rhythm is what gives you the confidence to sing the chant, particularly when to start each phrase. Without a clear rhythm, your choir or congregation will always be relying on the strongest singer to begin, and thus, they will always be late, or will not sing at all!” Donnelly and Tony Serka, LMSK music director, observed that once the group understood the rhythm of the Ave Maria, they all sang out with much more confidence. According to Mark, “Rhythm is king when it comes to unity of performance!”

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Part 1: Information, Impressions, and Inspiration (Sacred Liturgy Conference 2019)

From May 28 to 31, 2019, Una Voce Canada members Theresa V and her daughter Maria attended a Sacred Liturgy Conference called “The Living Waters of the Eucharist” in Spokane, Washington. Members of the Latin Mass communities at Sts. Joachim and Ann Parish in Aldergrove, British Columbia, and Holy Family Parish in Vancouver, they were assisted by a bursary from Una Voce Canada. In a two-part series, they share what they have learned and experienced.

Part 1: Information, Impressions, and Inspiration, by Theresa V | Part 2: The Living Waters in the Sacred Liturgy, by Maria V

All photos courtesy of Marc Salvatore / SacredLiturgyConference.org.

For information about Una Voce Canada’s bursary program, please email info@unavocecanada.org.

***

The Sacred Liturgy Conference titled “The Living Waters of the Eucharist” was held the last four days of May at the Gonzaga University campus in Spokane, except for two Masses, which were held at the Cathedral of Our Lady of Lourdes. Both the University Church and the Cathedral were so beautiful, with spectacular stained glass windows, large, captivating Stations of the Cross statues set off from the wall, and lifelike marble Calvary scenes above their respective tabernacles. It was so edifying, especially at the Pontifical Mass of the Ascension of Our Lord, to see the entire Cathedral packed full of people of all ages, women wearing veils, families, various groups of sisters in traditional habits, altar servers, monks, deacons, priests, and bishops. It was very moving! The music of the Schola Cantus Angelorum enveloped us and lifted us into heavenly contemplation of, and gratitude for, the mysteries before us.

The conference featured multiple daytime lectures by various keynote speakers, interspersed with two workshops that ran simultaneously throughout, one on “How to Celebrate the Extraordinary Form Mass” and the other on “Gregorian Chant 101 for the Ordinary and Extraordinary Form.”

We decided to attend the latter as we thought the former would be more suited to priests and altar servers. We also chose the Gregorian chant workshop as our family is very involved in singing chant at the Extraordinary Form Masses in three different parishes in Vancouver for various Sundays or feast days. We were very happy that we did, as the speakers gave so much insight into the history, value, tradition, and practice of chant that I am convinced that everyone would benefit from learning about it, whether as a singer or a listener.

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Part 2: The Living Waters in the Sacred Liturgy (Sacred Liturgy Conference 2019)

From May 28 to 31, 2019, Una Voce Canada members Theresa V and her daughter Maria attended a Sacred Liturgy Conference called “The Living Waters of the Eucharist” in Spokane, Washington. Members of the Latin Mass communities at Sts. Joachim and Ann Parish in Aldergrove, British Columbia, and Holy Family Parish in Vancouver, they were assisted by a bursary from Una Voce Canada. In a two-part series, they share what they have learned and experienced.

Part 1: Information, Impressions, and Inspiration, by Theresa V | Part 2: The Living Waters in the Sacred Liturgy, by Maria V

All photos courtesy of Marc Salvatore / SacredLiturgyConference.org.

For information about Una Voce Canada’s bursary program, please email info@unavocecanada.org.

***

The Sacred Liturgy Conference held in in Spokane was titled “The Living Waters of the Eucharist.” This theme was chosen because it is a metaphor God uses in the Old Testament to represent right worship, and a metaphor Christ Himself chooses to use in reference to his Body and Blood. This image is rich in meaning, tying in the Old Testament prefigurements, and continues to be not just a prominent symbol throughout the Church’s traditions but also the reality, finding its ultimate fulfillment in the Eucharist, the pinnacle of Christian worship.

References to living water are found throughout the Old Testament, where the idea of living water meant moving or flowing water. Scripture begins with it in the first book, with God watering the garden of Paradise with a spring [Gen 2:6, 10], and ends with it in the last book, with the fountain of life coming from the Throne of the Lamb [Rev 22:1-2]. Living water is applied to Divine Worship in the book of Jeremias, when the people have abandoned the Lord and turned to the worship of idols. The priests of the Temple having turned their backs on the Holy of Holies, God immediately uses the metaphor of living water for right worship of Him, in speaking of these liturgical abuses: “They have forsaken me, the fountain of living water, and have digged to themselves cisterns, broken cisterns, that can hold no water” [Jer 2:13]. God identifies living water with a right relationship to Him, Himself being the Source; the broken vessels are representative of false worship.

This symbolism can be better understood when the role fresh water had for the Jews is understood. There was a twofold cleansing power of water in the Old Law: regular water was to be used for filth, and fresh, “living water” for ritual impurity [Zech 13:1]. But this is raised by God to another level: while uncleanness, the effect of sin, is washed away by water [Lev. 15:13], we also see that for the cleansing of moral evil, or sin, blood is necessary. Here it is clear that blood has a cleansing quality, acting as water on the spiritual level. God explains the reason for this to Moses: blood was the symbol of life – consequently to take something’s blood meant to take its life. “For the life of all flesh is in the blood” [Lev. 17:14]. It was for this reason that the Jews were forbidden to drink the blood of a creature, for God is the Author of life – only He may take it. If God is the Source of life, then a rejection of Him would necessarily mean death, and ever since the fall, this has been the punishment for sin. This reality was represented in the Old Covenant with animal sacrifices, to drive home to the people the graveness of sin and the concept of spiritual death that the soul suffers as a result of it. Just as the sprinkling of the doorposts with the blood of a lamb saved the Israelites from death, so God also commanded that the people be sprinkled with the blood of sacrifice to wash away their sin.

To take this a step further: In the prophet Ezechiel’s famous vision (the Vidi aquam sung at Mass during Eastertide), he saw water flowing from the right side of the Temple, from the altar [Ez 47:1]. In the Temple in Jerusalem, this was the same side from which the mixture of blood and water from the sacrifices was channelled out. Since blood represents life, so living water, which cleanses sin, means, in the language of the Old Testament, flowing water mixed with blood. Therefore the water that he saw, which made the sea fresh, was bloody water – the image of that which flowed forth from Jesus’ body, which He identifies as the True Temple, the new place of worship, as John makes sure to point out in his Gospel: “He was speaking of the temple of his body” [Jn 2:21]. St. Paul, previously a pious Jew who understood the significance of this imagery, sums it all up in his epistle to the Hebrews: “For if the blood of goats and of oxen, and the ashes of an heifer being sprinkled, sanctify such as are defiled, to the cleansing of the flesh: How much more shall the blood of Christ?” [Heb. 9:14].

Dr. Nathan Schmiedicke explained in his talk that the key to this symbolism  is found in the incident in John’s gospel when Jesus met the Samaritan woman at the well. Here Christ Himself explains the meaning of living water in the context of the true worship of God. John starts out with two references: he points out that they met at the sixth hour (the only other time he mentions the sixth hour is at the Last Supper), and he mentions Jesus’ thirst, which parallels the thirst of Calvary. Then early in the dialogue, Jesus offers the woman the true living water that gives salvation: “The water that I will give him, shall become in him a fountain of water, springing up into life everlasting” [Jn 4:14]. This ties in the symbolic meaning of living water in Divine Worship – He offers this as the solution to the problem she brings up about the schism of Samaria, which concerned the place of worship. Jesus says instead that the new worship of the Father will be in spirit and truth. Elsewhere, He states that He is the Truth [Jn 14:6]; He is then, with these words, identifying Himself as the New Temple, and His body as the new location of worship – it is from It that the living waters will spring. This chapter on living water is followed by Our Lord’s discourse on the Eucharist two chapters later. He declares that whoever shall eat of His body and drink of His blood will have life [Jn 6:55]. This is connected to an episode in the following chapter, where Jesus makes the curious statement that in the man who believes, “out of his belly shall flow rivers of living water” [Jn 7:38, Douay-Rheims] – a passage that makes sense only in light of Chapter 6. The living water He speaks of is clearly a reference to the Eucharist.

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Native son celebrates first Mass in his home Archdiocese

By Sean L. Tobin, Secretary-Treasurer, Moncton Traditional Latin Mass Society Inc., an Associated Organization of Una Voce Canada

June 9, 2019, will go down in the history of Notre-Dame-de-l’Assomption Cathedral, the seat of the Roman Catholic Archbishop of Moncton, the Most Reverend Valerie Vienneau, as the day the Mass in the Extraordinary Form returned to the High Altar.

Our Lady of the Assumption Cathedral was officially inaugurated on November 21, 1940. Its roots lie in St. Bernard’s Parish, which in its early years served both Moncton’s English-speaking people and the French-speaking people of the Acadian community. Many families of this community can trace their histories back to the northern coast of France.

The building is one of the most majestic in the city, by its architecture and decorative appeal. It holds rich works of art that recall the life and the Faith of the Acadian people. Four white marble statues and two mural mosaics are the works of renowned Acadian artist Claude Roussel. The stained glass windows in the transept of the Cathedral evoke the religious and civic history of the Acadian people. Pope St. John Paul II visited the Cathedral during his visit to the city in 1984. Newly ordained Fr. Luc Poirier, FSSP, who celebrated the Mass, is himself a member of the Acadian people, having been born in Irishtown, New Brunswick, a small community just north of Moncton.

This was a truly exceptional affair as it was the first Mass in the Extraordinary Form celebrated on the High Alter since the proclamation of Summorum Pontificum by His Holiness Pope Emeritus Benedict XVI in 2007.

Fr. Poirier, a member of the Priestly Fraternity of St. Peter, completed his studies at Our Lady of Guadalupe Seminary in Nebraska. The Fraternity is a clerical Society of Apostolic Life of Pontifical Right, canonically erected by Pope St. John Paul II in 1988. It serves in apostolates across the world and in seven areas of Canada. Parishes are located in Quebec City, Montreal, Thorold, Ottawa, and several dioceses in Alberta and British Columbia. Its priests serve with the faithful celebration of the Traditional Mass of Pope St. Pius V and Sacraments (Extraordinary Form of the Roman Rite) at the centre of their charism. The members of the Priestly Fraternity of St. Peter, nourished through the spiritual riches of the Church’s ancient Roman liturgy, strive to sanctify the seminarians, religious, and faithful entrusted to their pastoral care.

Fr. Poirier was ordained in Ottawa by His Grace, the Most Reverend Terrence Prendergast, SJ, on May 31. Although he had celebrated his first Mass in Ottawa the morning following his ordination, he also took the time to celebrate Mass with the Traditional Latin Mass community in Quebec City on his way home to visit his family in his native province.

The province of New Brunswick is divided into four dioceses: Moncton, Saint John, Bathurst, and Edmundston. On our borders are the Diocese of Prince Edward Island and the Archdiocese of Halifax.

Fr. Poirier’s family did not know how many people to expect, but beginning around 1:00 p.m., they began arriving. They represented many of the large and small cities, towns, and villages from all three Maritime provinces, not to mention those guests who had accompanied Fr. Poirier home and took part in this wonderful celebratory service. The count taken from the choir loft indicated nearly 600 people in attendance, consisting of young people, elders, and young families. Fr. Poirier and the attendees were graced by the presence of Archbishop Vienneau and the Vicar General, Fr. Jean-Guy Dallaire, as well as several other priests of the Archdiocese.

Following the Mass, a reception was held at St. Augustine’s Church. Fr. Poirier’s family was generously assisted by the wonderful ladies of St. Lawrence O’Toole Parish, located in the village where Father was born, and of St. Augustine’s Parish. Many people took the opportunity to attend the reception and greet Fr. Poirier and the members of his large family. Following the reception, Father offered his First Blessings to all.

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